Reading Loud with Today's Children - The Technique of EIR

Did you know that reading aloud has the potential to be the greatest instructional tool in your teacher's toolbox?  It connects to more levels of learning than any other single activity you can do in your classroom today (according to the landmark report, Becoming A Nation of Readers.  And it helps students see how the strategies and ideas they are learning in the skill-based instruction you provide apply to real reading.  Here are just a few of the benefits:

Exposes students to a richer vocabulary than they may encounter in leveled text (they can often understand up to two years higher in their listening vocabulary than in their own reading vocabulary levels.  You can learn more about this in Reading and Vocabulary Development from The Journal of Instructional Psychology)

Stretches and expands the number of words a child knows

Develops a strong concepts of story and how print works

Demonstrates proper grammar and sentence structure and exposes students to more complex levels than they can manage independently in print.

Exposes students to a variety of different types of stories, informational text and rich literature

Reinforces letter sounds and blending sounds into words (essentials in how our language works in print)

Gives opportunities for students to practice prediction and the order or sequence of stories and learn to evaluate together the validity of predictions as one moves through text

Builds background knowledge

Strengthens listening skills and the ability to understand what they hear

Puts a strong model of fluency (and thinking) in front of children

Encourages higher level thinking while freeing the brain to concentrate solely on understanding the story without the "burdens" of fluency and decoding.

Increases attention span

Builds excitement about learning and reading.

I expect you can find even more connections to your standards and those outlined by a joint listing from the International Reading Association and the National Council for Teachers of English in this simple activity.  When you give students a daily diet of read alouds, especially the Engaged Interactive type, you set a class culture, you layer and support the instruction you do at other times in the day and you promote motivation, as essential a component as the sub-skills we teach if we are to create lifelong readers.

"The truth is, if we can't find time for anything else, we should find time for reading aloud," says nationally  board certified Master Reading Teacher, Lisa Frase.   I couldn't agree more!

Now you are ready to try an EIR in your classroom:

Choose 5-10 minutes (write it in your lesson plan or it gets squeezed out)

Preview the text to look for those connections to your standards, your goals for learning in your classroom.  Look for places that are natural opportunities for you to split open your brain to show students what is going on when you:

predict
question - especially "how" and "why" questions
visualize
re-read
self-correct
think, wonder and ponder
pay attention to context clues to understand vocabulary

Take time to explain what you are doing in quick interjections into the storyline.  It may take you a few times to fine-tune the balance between insertions and moving the story along but today's students are used to a back and forth, multi-tasking, quick approach.  EIR fits that to a T.  It may take a bit more practice on your part if you are used to "sit still and listen" read alouds.  Your students can tell you when the fit and balance are correct by their level of engagement.

To learn more about how to select the right books for this type of read aloud, contact me at cathypmiller@comcast.net.

ONE LAST TIP

Remember when you are planning to deliver an EIR, that it's easy for mature readers to rely on the automaticity with which we use these strategies.  However, those readers who are still growing need explicit examples of how to apply those strategies in real reading situations.  Dr. Michael Pressley speaks to that in his chapter in the Handbook of Reading Research (check out particularly the segment on "what comprehension instruction could be).  EIR gives them that!

NOW YOU TRY!

How does this compare to the reading aloud you do in your classroom?  Has the strict scripting of reading programs and tightly scheduled dates given you the mistaken idea that you don't have time for reading aloud with students?  I'd love to hear questions and comments about what is happening in your school.

Combine Writer's Workshop and the 6+1 Traits for Great Results

One of my favorite things to do when I teach young writers is to write with them. Just as it is important for teachers to be readers, it is also important for them to be writers. Do you write with your students? Here are a few ideas:

When your students are writing in class, at least some of the time, let them see you writing too. You can be jotting down ideas for a new action research project, making notes for your lesson plans for the future, or maybe, yes maybe, writing the same assignment that you just gave them.

Spend time celebrating writing in your class. One of the most important ways to cultivate writers is to create a classroom environment of risk-taking and cooperation instead of one where students are afraid of criticism or being made fun of. You can find something, even if it is a diamond in the rough, to celebrate in any student's writing. Give your students chances to share their writing and to cooperatively discuss revisions.

Play a game to emphasize avoidance of the "I don't say anything" word, "GOT". We use it frequently in our oral language but it is such a lazy word. Write a simple sentence with "got" as the verb and then have your students play "hot potato", tossing a ball or other object around. Whenever a student catches the object, they must give an active verb to replace "got" in the sentence. Have a brief discussion about levels of meaning (good word choice) afterwards.

For more ideas on writing, visit my columns at Educationworld.com. Another great resource is Purdue University's OWL writing lab. Til next time!

A Treasure Chest of Nonfiction Resources

Nonfiction writing for children represents a pool of unique tools for educators teaching knowledge learning areas. Certainly nonfiction gives educators ways to build content knowledge. Don't forget that it also serves as a window of opportunity to motivate all students, to turn them on to reading. I've always said, "there's a book for every child" and, when you open the selection to include nonfiction texts, you raise the likelihood that each student finds that book.

I know educators and librarians don't have a lot of time to find these gems on their own so here are a few great new resources that will help you in your search:

My friend, and author, Vicki Cobb, and many of her fellow non-fiction authors just this week introduced a brand new database, website and blog, dedicated to helping busy educators and librarians tap into this world. To quote their introduction on their INK THINK TANK website "The real world has never been so interesting!"

Search this resource by subject area, national standard, grade level and much more on the database included here. There are more than 20 different contributing authors on almost any subject matter you can think of. They also have a corresponding blog where the authors of these great tools visit, share ideas and thoughts, and help us all maximize resources.

Ever feel as though your students have no hook, no foundation of knowledge, on which to build new content area knowledge? Need a quick tool to find picture books to use when introducing that content area subject matter? Powerful Picture Books: 180 Ideas for Promoting Content Learning is an environmentally-friendly, easy-to-use resource you can reference all year long. An annotated list of over 180 quality picture books, suggests one title to read for every day of the typical school year. Most of the entries represent picture books readily available in your local public or school libraries. Read aloud book 1 to book 180 in your classroom or use the interactive index to help you select the content area you need.

Each annotation includes the title, author, and publication details plus ideas (and some hyperlinks) for extending the learning. These recommended reads cover such content areas as history, writing, the arts, geography, science and more. You can find picture books applicable for use with elementary, middle and high school students.

Get your media specialist involved! Sharron McElmeel, from in Cedar Rapids Iowa Community School District, shares some great ideas for promoting nonfiction with the youngest readers in her article entitled A New Section for Young Readers: J is for Junior Nonfiction.

Maximize the use of nonfiction with your students and turn more of them on to reading as a tool for life, a way to feed their interests and explore new worlds.

Revisit the Read Aloud

Do you miss read alouds? In many of today's classrooms, reading aloud with children has been squeezed out or, perhaps even worse, has become a clinical, teacher-directed instructional piece to the point where it's lifeblood and impact have been depleted.

Take a look at an abbreviated list of values for reading aloud with students:

Pure enjoyment of great stories/growing motivation and interest in reading
Taking students to a different level of understanding of the story (Bloom’s
Taxonomy concepts)
Discussion and reinforcement of story elements
Reflecting on the text and searching for multiple meanings
Exploring the elements and format of print and story
Practicing and modeling specific comprehension strategies such as questioning,
predicting, clarifying, etc.
Building and activating background knowledge
Using inference
Understanding of the writing process, use of grammar, point of view,
writer’s voice, word choice and other writing-related skills.
Introducing and reinforcing vocabulary
Reinforcing content area learning
Modeling and Practicing “think-aloud” and visualization
Introducing and/or reinforcing summarizing skills

This list reads like a list of standards. I expect you can find at least a few of your state's embedded here.

So what's the deal? What I recommend to many teachers is to step back. Look at what you do as a reader when you read text. It is an active and interactive process. You draw on all you know about how to figure out those squiggles on the page and the meaning behind them, almost effortlessly. Our students are still learning about those through comprehension strategy instruction, decoding instruction and fluency practice. So open up your brain. Get off the "lesson" channel and just explore, think, wonder, figure out and celebrate great writing.

It doesn't have to take 30 minutes - try 5 or 10 (most picture books can be read in that length of time). Evaluate the "down times" in your day - waiting for students to arrive, during the "morning meeting"/first few minutes of class, before or after lunch, closing out the day. There IS time.

When you take this approach to reading aloud with your students, it will have an incredible impact.

Do you know about the research behind read alouds (there is actually quite a bit)? Dr. Wesley Sharp has written an excellent article summarizing some of it on Educationworld.com. Dr. Maryann Manning's take includes not only references to research but also personal experiences. My favorite principal of all time, Dr. Reba Wadsworth, has great insight into this area as well. One more resource: Katherine Goldner's action research in conjunction with her graduate studies. It so clearly illustrates the value of such "in the classroom" experiments and evaluation.

I'd love to hear from real teachers out there using (or not using) read alouds. What have your experiences been?

Tim Rasinski and The Role of Fluency Instruction

I was thrilled when my copy of IRA's The Reading Teacher came in the mail yesterday. If any of you are members of the International Reading Association, this journal is one of the best in terms of practical ideas.

This month Tim Rasinski (as he does so often) pairs with a classroom teacher. This time the two discuss how reader's theater can create an academic pathway to grow students' fluency. I hope that those of you with experience with reader's theater review this article's abstract as well as the article itself if possible. On the online version, there is even an idea for using Jan Brett's book Hedgie's Surprise in a reader's theater environment from Read Write Think. If you have not used reader's theater in your classroom, now is a great time to try it, especially with the detailed approach outlined. Tim's website also provides a great list of sources for reader's theater scripts. You can even have your students create their own as part of a writer's workshop or groupwriting experience.

One point of the referenced article is particularly important in today's classroom with an increased focus on fluency. The purpose of improving fluency is increased comprehension. I fear that in the past few years, many schools have swung the pendulum too far in the direction of focusing purely on speed and the result, as Tim and Chase talk about in this article, is children that can read like a house afire but have little understanding of what the meaning behind the text is. That can be terribly damaging to their ability to read increasingly complex text as they move forward in their schooling.

I saw this first hand as I conducted a research study on fluency and the influence of family reading on first graders' growing fluency. In a study conducted in schools in GA, AL, TX and TN, about 80% of the students we asked to read a leveled piece which included inference could not identify what the children in the story were doing (building a snowman). Many students immediately upon finishing the one minute reading (timed so we evaluate all the students within a reasonable time) asked, "how many words did I read?". It seemed they had nearly been "programmed" to ask that, even when there was no direct evidence that this is what our assessment was attending to. In fact, I recommended this response to our evaluators who heard that comment: "I wasn't paying any attention to that; I wanted to listen and see if you sounded like you were talking when you were reading and whether you understand what the story was about." Although this was not the focus on the study, it was indeed a wakeup call.

Educators must be very careful as we work with students to improve their fluency that we do not minimize or sacrifice expressiveness, pacing, automaticity in word recognition, and decoding. Worst still, if speed is our primary focus, children get the mistaken idea that fast word calling is reading. That is simply not what makes a good reader. Whether we are working with beginning readers in kindergarten or first grade, or older students still struggling with reading, we must be sure that we are sending the messages that fluency is a tool, that reading is squeezing the juice of meaning out of text. If we do not send that message loud and clear, we may see children benchmark on fluency assessments but their comprehension (tested more frequently that speed of reading and much more important) will suffer.

Certainly we want our young and maturing readers to be fluent, but we also want them to be able to think deeply and widely, analyzing and evaluating what they read, rather than simply regurgitating facts. That takes excellent, engaged teaching, giving some time to fluency, but always going back to the focus and purpose of reading, to gain meaning from that text.

I'd love to hear about your experiences with reader's theater and how you are using it in your classroom. How are you putting fluency in its correct perspective with your students?

Step Into the Writing Process: Tools for Great Introductions

As teachers, whether we are in kindergarten or high school, we tell our class, "you need to make sure you have a strong introduction" when we encourage them to write. But such a broad statement isn't instructional and, if the students don't already have the tools to do that, they are lost.

Over my years of teaching children to write (ages 7 through 18) and 46 years of personal experience with the craft, I've discovered that there are lots of methods for creating effective introductions. Here's a few "tools" students can add to their toolbox to help their introductions (in essays, papers, narratives -- really any writing -- zing!

1. Always use the active voice and active verbs.
2. Avoid dull, predictable sentence structure.
3. Begin with one of these:

a surprising fact or statistic

a question"

a direct quotation (even a controversial one) to give a hint of perspective

a statement that leads into the piece, changing the routine perspective

purposeful repetition of a key phrase or term

an engaging anecdote or story, can include humor.

After your students have written their draft (including the introduction), ask them to switch with a partner. Have that partner answer this question:

When I read just the introduction, can I tell what the paper is about (the topic)?

Have the pair work together to either identify strong specific elements that make the introduction a good one or help one another revise to improve the introduction by incorporating some of these ideas. Make sure you follow through with multiple opportunities to practice writing strong introductions AND ask your students to seek out actual examples of writing and use these tools to evaluate the quality of others' introductions. Make sure you include great examples in a mini-lesson read aloud (great informal way to do a book talk). After reading the introduction, ask students "Is this a good introduction?" Follow-up, most importantly, after they voice their opinion, with the question, "Why?"

For more help with writing, visit the archive for Educationworld.com's Reading Coach (not just for reading coaches but for every teacher).

How do you help your students write great introductions?

Building Background Knowledge with the Use of Picture Books

Do your students have that "deer in the headlights" look, lost because they haven't a hook to hang this new content chapter in history, science or social studies? We've probably all been there at one time or another. You feel for them but when you read the content with them or ask them questions, you just get a blank stare. Most often, the real reason behind that is that the student has no place to begin, no frame of reference to connect to. They have no "background knowledge" or "schema". Without a place to start ("oh, I know this information already, so I can understand the new information better"), students may not be able to make sense of it.

Think of what would happen if you were thrown into the middle of an engineering project with no training in that area. It would be impossible to be successful or to learn more without a foundation. It's the same when it comes to understanding writing, historical events and times, science, math, music, art, most anything -- we all need a starting place.

To find that starting place, enter the world of today's picture books. They are more colorful than ever with exquisite art created by true talents such as Jerry Pinkney and Jan Brett. They sometimes contain complex ideas in a simple format (like Patricia McKissack's Goin' Someplace Special).

Want to find more treasures to help your students learn content-related facts and information? Start with my Amazon List to find more suggested titles that all teach music concepts (from Native American and African roots to classical and jazz legends). Share this with your music teacher if you have one. Educationworld.com also gives you some tips for using picture books to teach standards.

Because I recognize this is an issue that impacts comprehension (and we know how important comprehension is; it is the reason we read in the first placle), I've created a new environmentally friendly resource to help you find even more fantastic subject-matter picture books (the new e-book is entitled Powerful Picture Books: 180 Ideas for Promoting Content Learning available at Inspiring Teachers. Nearly half of the picture books listed can be used with middle and high school students as an introduction to more complex text. Powerful Picture Books will soon be featured at Cool Book of the Day where you can find a new cool book for you posted there every day.

Maybe you have other content areas you need help with. My friend, Vicki Cobb and a group of over 25 of her fellow nonfiction writers have started a new blog at I.N.K.. It highlights interesting Non-fiction for Kids and is a fantastic source for finding even more great non-fiction books for kids of all ages. Non-fiction is the heart of fact-finding and most reading beyond 3rd grade is content area or nonfiction reading. Whether you are looking for science books, books about famous people, language, painting or whatever, you're likely to find a sampling there.

With these tools, you have an easy way to support your students' learning. Tap into the world of picture books (fiction and non-fiction) to use as a fun, interactive way to help your child gain the basics. You'll help them gain a position where they can soar. The great news is that picture books, chosen carefully, can even be used with students who are in middle and high school.

Even if you have students who are doing well in school, search out a picture book or two that relates to a time in history or a subject that they may not study very much in school. Put those picture books in your classroom library for those students who finish their work early or those students in your class who have been identified as gifted. The more your students grow their background knowledge, the better prepared they will be to succeed in school, on standardized tests and in life.

Happy Reading!